April 2025

The Defiant Ones — Ultimate in Mood Photography

This article originally appeared in AC Aug. 1958. The text is presented here as it was originally published. Mood, in motion pictures, is a visual thing. It is something that is established by the photography and sustained by the photography. It comes through from the screen with the greatest impact when the director of photography has an innate feel for creating mood through artful lighting and camera angles. This, of course, is something which all veteran directors of photography have, each in varying degrees — a talent developed during many years of photographing motion pictures. But, as with any endeavor, now and then one stands out above all the rest. In The Defiant Ones, being released this month, director of photography Sam...more

Defiant Ones Featured

Historical


Caught Barbara Bel Geddes and James Mason F Eatured
April 2025

Caught: A Lost Noir Classic

Legendary director Max Ophuls and accomplished cinematographer Lee Garmes, ASC lent their skills to a widely-scorned 1949 picture that has proven its worth over time....more

Ran Featured
March 2025

The Japanese Method for Ran

Legendary director Akira Kurosawa prefers to use multiple cinematographers on all of his films, dating back to 1954's The Seven Samurai. ...more

JFK Garrison Featured
March 2025

The Whys and Hows of JFK

Robert Richardson, ASC details his complex visual approach to director Oliver Stone’s cinematic “counter-myth” to the Warren Commission Report. ...more


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